My practice is grounded in interrelated bodies of nets and grids, through which I explore repair, transformation, and the veiled systems of connection that shape experience. These bodies of work are expressions of a consistent, evolving language, one that honors rupture and restoration. Whether through suspended net forms, gridded fiber-paper compositions, or participatory sound and stitching, my work seeks to soften hard systems, trace ancestral lines, and disrupt what no longer serves. 

Materials like sari silk passed down from my mother, thread, wire, and paper act as conduits for layered memory and embodied ideas. I integrate saris with wire. Cording silk with wire serves as a skeletal framework that is responsive to weight distribution. Together, these materials evoke containment and fluidity. I use netting and lacing techniques without a needle or substrate, then spiral this lace with wire to create cords of fiber that fix in form.

Mending is central to my practice, serving as both metaphor and method. Acts of knotting, wrapping, and binding reflect the human instinct to restore what has been damaged. I use repeated circular nets and mirrors that reflect ourselves within the cycle of rupture and repair. Three frameworks shape my work: Weight, which encompasses physical and emotional mass; Waveform, the energetic space between interactions, echoing connection; and the Grid, which provides structure that I strive to remain fluid, interrupted, and responsive. 

Transforming inherited materials allows me to both honor and disrupt tradition. Wrapping becomes a ritual of reclamation; tearing, an intentional act of refusal. These gestures break the illusion of untouchable beauty and offer me agency and authorship; it is the process of my healing. Through the combination of fragility and strength, I offer a visual cyclical language for navigating dissonance and renewal. I invite the viewer to consider what holds them, and how we might begin to mend and renew.